Professional Black Girl: Video Series Celebrates ‘Everyday Excellence’ of Black Women

Professional Black Girl: Video Series Celebrates ‘Everyday Excellence’ of Black Women and Girls and explores the love language shared by black women, and how we twerk and work with unmatched professionalism. 

Episode 1

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#ProfessionalBlackGirl

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DURHAM, N.C. — Dr. Yaba Blay, renowned activist, cultural critic, and producer, launches Professional Black Girl, an original video series created to celebrate everyday Black womanhood, and to smash racist and “respectable” expectations of how they should “behave.”

Seventeen Black women and girls ranging in age from 2- to 52-years-old were interviewed for the series. Each episode features a candid discussion with personalities such as Grammy Award-winning recording artist, Rapsody; Joan Morgan, author of the Hip-Hop feminist classic When Chickenheads Come Home to Roost; and 13-year-old world traveler Nahimana Machen, sharing what it means to be a “Professional Black Girl.”

“‘Professional Black Girl’ looks like Taraji P. Henson at the 2015 Emmys jumping up to hug Viola Davis. It looks like Mary J. Blige and Taraji and Kerry Washington in that Apple commercial. It looks like me rolling up to a room full of people in Berlin to speak with my bamboo earrings on,” explains Tarana Burke, a non-profit consultant and fashion blogger featured in the series.

Limited edition Professional Black Girl merchandise, created in partnership with Philadelphia Printworks, is available now onphiladelphiaprintworks.com. The first full episode, featuring Dr. Blay, will air September 9, 2016, with an episode airing each Friday onYouTube and yabablay.com until December 23, 2016.

The terminology that is often used to describe and define Black girls—such as bad, grown, fast, ghetto, and ratchet—are non-affirming and are words that are intended to kill the joy and magic within all Black girls,” says Dr. Blay. “We are professional code-switchers, hair-flippers, hip-shakers, and go-getters. We hold Ph.Ds and listen to trap music; we twerk and we work. We hold it down while lifting each other up, and we don’t have to justify or explain our reason for being. This is us.”

Follow #ProfessionalBlackGirl across Facebook, Twitter, and Instagram to celebrate and affirm the everyday excellence of Black women and girls.

For more information, or to interview Dr. Yaba Blay, please contact Shakirah Gittens at 718-687-6231 or by email at info@DynamicNLyfe.com.

The Battle for Equality Is a WIRED Issue

Serena Williams isn’t just a tennis champion and singularly great athlete; she’s been a leader in the fight for equal representation and pay in her sport.

Source: The Battle for Equality Is a WIRED Issue

Cuteness & Blackness: Video Podcast

Earlier this month, Fayetteville State University’s internet radio station, Bronco iRadio, asked me to come in and talk about cuteness and blackness to help kick off Black History Month. Needless to say, this is my favorite subject and I had plenty to say (even during commercial breaks).

Since it was a live broadcast, a few folks (mostly family, friends, and students) asked if they could listen to the show on their own time, so I thought I’d do one better and post this video of our uncut, on-air conversation. Because we spent so much time discussing rhetoric and its connections to professional writing, we ran out of time before I could draw more connections to civil rights and anti-black racism. So I’ll be sure to post another video podcast dealing more directly with cuteness’ relationship to mass incarceration and racial profiling in the near future.

Leave your comments and share your thoughts.

Teddy Bears in Bear Country: Tamir, Trayvon, Eric, Michael, Jonathan, Sam, Nate…

Tamir Rice memorial, playground at Cudell Rec Center, Cleveland
Tamir Rice memorial, playground at Cudell Rec Center, Cleveland

The “teddy bear effect” is something I’ve touched on before in this blog and is now, more than ever, the topic of exigency. The slayings of Trayvon Martin, Eric Garner, Michael Brown, and Tamir Rice, among many others whose names are yet fully known bring to mind the work of one of this year’s MacArthur Genius Award winners: Jennifer Eberhardt’s “Deathworthy” study about how the dark skin and African looking facial characteristics of black defendants are highly correlated to the likelihood of their being sentenced to the death penalty.

The spontaneous memorials, such as the one pictured above, have popped up at sites where police (or wannabe cops) have murdered unarmed, often adolescent black males all speak to teddy bears as a visual and spatial phenomenon of race. Alongside the realities uncovered in the Deathworthy study, is another study by Robert Livingston. Coined the “teddy bear effect,” researchers demonstrated how and why our society can enact the “postracial” iteration of Jim Crow in the form of mass incarceration and all these brutal police killings directly alongside the amazing success of the Barack Obama presidency.

It seems, according to the evidence, that successful African American leadership —beyond impressive credentials, competence, and diligence — is accompanied by certain “disarming mechanisms” such as physical and behavioral traits that attenuate perceptions of black threat held by the dominant culture. It appears that some black men have developed an extraordinary psychological capacity to affect the feelings of comfort engendered by persceptions of cuteness in order to assuage white racial anxieties about black men’s purported criminality. Among these disarming mechanisms is that of “babyfaceness,” which some African American men physically possess (and may intentionally play up) because they realize how whites experience their “cuteness” as helpful in reducing the perception of black aggression. White experiences of fear or intimidation may actually be a cultural form of subconscious projection due to the realistic threat suffered by blacks because whites’ possess such inordinately higher levels of social power vis-à-vis their black counterparts in most cases.

Teddy Bear Effect Benefits Black CEOs (2009 Livingston).
Teddy Bear Effect Benefits Black CEOs (2009 Livingston).

Deathworthiness versus babyfaceness serves as empirical evidence of the quantifiably predictable quality of “cuteness” as a racial construct that too often means life or death for our black brothers, partners, and sons. It’s interesting that both studies, particularly in the case of Livingston, make clever nods towards the heavily anthologized Brent Staples essay, Just Walk on By: Black Men and Public Space,” in which the essayist refers to his habit of coping with whites’ perception of black male threat as a “tension-reducing” tactic meant to assuage white fears and and offer a sense of racial comfort in the public sphere. The kicker comes when Staples admits how “warbling bright, sunny selections from Vivaldi’s Four Seasons is the equivalent of the cowbell that hikers wear when they know they are in bear country” and speaks most eloquently to the strange dilemma of masculine empowerment and racial entrapment experienced by black men when moving through public space.  

Teddy bears in bear country, sadly, is the perfect trope for the beastly outcomes derived from the unchecked racist policies and legal processes of white American culture and jurisprudence.   #BlackLivesMatter

Blowing Up or Selling Out: Carol’s Daughter & Scents of Nostalgia

A Black Cosmetic Company Sells, Or Sells Out? : Code Switch : NPR.

I remember when she started as an apothecary in Brooklyn on Atlantic Avenue. It was in the early 90s… She used heavy mason jars, essential oils of ylang ylang, bergamot, sandalwood with *actual* jasmine flowers — all made to order and combined to heal. Her potions and balms were an indulgence and were more than affordable considering the quality. I used her baths and oils to pamper my young babies and spoil myself whenever I could and could not afford it. (She was artisanal before artisanal was a “thing” and the originator of what Joan Morgan’s doing nowadays.)

A Black Cosmetic Company Sells, Or Sells Out? : Code Switch : NPR

Fast forward a decade and a half
==>>  Department stores began carrying Carol’s Daughter after word caught on. Once time had passed I noticed a decline in more than just the packaging and now I can’t tell the difference between Tui Oil and Hot 6

Though to be perfectly fair, I’m not the same hand-dyed-gele-headwrap-wearing-radical-vegan these days, m’self… I’ve made more than my fair share of personal adjustments over the years trying to pay bills just like everybody else.

Who am I to criticize? And if I really think about it, it’s been Carol Daughter’s — whether it be her originally sourced ingredients or outsourcing to L’oreal — that has inspired me to get back into my kitchen with my butters, mixers, and essential oils to indulge the scents and sensuality of my personal beauty routine and grooming habits.

So I say, Play on playa! Go on with yo’ bad self, Sista Lisa and tua u.  That last part means “thank you” in early 90’s Black Brooklyn speak. (And if you have to ask, you’ll never understand!)

Cut-Pasta Scrolling as Literal Tactic for Computer Writing & Composing

Whew! Almost done!

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My cutting, pasting, and scrolling with Word.doc is a literal tactic for composing with a computer. After stealing whatever time I could throughout this summer for this particular writing project, it took me only 3 hours with paper, scissors, tape, and stapler to assemble my fragmented rants of cut-pasta into something meaningful and cohesive.

You should have seen my living room floor — scraps and scribbles were scattered everywhere. Rudimentary, for sure. Not cute; just cut. I need to hold and manipulate the printed-out letters inside my hand to process my words and lay out my ideas into an actual verbal horizon.

Obama holding pen and printed speech with heavily edit marks.
Even the president’s speeches go through a messy stage before they become a final published product.

True true. The virtual world is cool and all that, but give me a kinetic activity over staring at a computer screen any old day. Do I feel trepidation about so honestly revealing my writing process? Sure I do. Though if I were truly brave I would post video. (Let’s file that one under “never gonna happen” M’kay? :~)

So many act as though good writing can only occur through some special, innate gift or pretend as though they’re picking up on frequencies from some sort of otherworldly copia. Have I ever experienced the metaphysical phenomenon of feeling as though I was possessed by writing? Yes. I have on occasion. To be honest, I envy those people who have the writing bug and can’t ever seem to quit. For my part, I struggle to make regular blog posts at times!

Writer’s block can set in at any time, but it can be helped. When it comes down to it, the real world requires us to write when sometimes we just don’t have time (or think we don’t have time). It could happen during a period of life when you’re falling in love or maybe you’re dealing with difficulties related to your job and family. And then there are those times when we would all rather be at the beach. The thing about writing is you have to make the time to simply do it in whatever way it wants to be done — with the hopes that you’ve made the right de/cisions for re/visions.

Being Mary Janes or Being Moral Mules?

While partaking of various items in my websurfing diet I often find myself struggling not to get sucked too deeply into the veritable smorgasbord of mind-numbing, click-through slideshows. At the same time, I value and congratulate sites like Madame Noire and the constellating blogosphere within its close orbit. I like how it provides a viable platform for young black women to cultivate their voices and share opinions. So let me borrow a quote from one of the blog’s contributors when I say there’ll be no stank face over here.

Anyway, having recently found myself in the throes of binge-watching BET’s newest dramatic series, Being Mary Jane, I came across this blog post in today’s newsfeed. And as hyperlinking would have it, I found myself clicking to one content contributor waxing blogosophical about the social import of Being Mary Jane as somehow representing a cultural leap for black women. (Of course, I’m all too aware of the debates surrounding the applicability of “social import” when speaking of popular television shows and other trending media; that’s a blog post for another time.) The assertions about the show’s dramatic realism regarding the title character’s character match the general commentary made about the Kerry Washington vehicle, Scandal. For instance:

Being Mary Jane gives black women something shows with predominantly white casts have been hip to for a while now:  Our very own Walter White.  Dare I say, our first anti-hero.  She’s the woman we hate to love because she’s the perfect validation of the fact that villains have feelings too.

I understand the sentiment behind such perceptions, but beneath the accolades lies a flawed logic. The impulse to praise any opportunity in which black women can see their lived realities portrayed on screen, projected as multi-dimensional, nuanced leading characters is a temptation to be sure. However much beyond that, claims about cultural groundbreaking are farfetched. The concept of an educated black woman emotionally supporting her parents and extended family by succeeding through hard work and tenacity all while looking fabulous breaks new ground — really?

Mary Jane’s agonizing over the health of her living and unborn nieces, reciting the Lord’s Prayer on behalf of a terrified nation on live television, and baking awesome cakes from scratch for her mother’s birthday somehow makes her a villain of the highest order. Clearly, this assessment provides further evidence that assumptions about black female malfeasance have become so pervasive in our culture that other black women are themselves actively engaged in the vilification of black femininity. The logic doesn’t hold; black women having normal human appetites and unapologetically striving toward the fulfillment of those desires does not a monster make. As a black female character looking for love, good sex, and professional status, is Mary Jane an antihero? Does the shoe actually fit?

Yeah, okay. Mary Jane is evil because naughty noogy is exactly the same as being a meth-cooking, neo-nazi affiliated child-killer à la Walter White. I’ll buy that.

No, really I am buying it… every single month through DirectTV on demand. ”She pulled up her black fishnets and called in Verizon to come and watch…” It’s possible that I may not have gotten that quote absolutely correct. Oh, Zora, you were so wise! (I don’t care one bit about Richard Wright calling you a handkerchief head opportunist.) Indeed, “de nigger woman is de mule uh de world” as far as I can see too — especially when it comes to shouldering America’s social and moral burdens. Oh well, onward and upward! Episodes 4 through 8, here I come! And please, dear mother-goddess Afro-d!te, I promise I’ll be good if you don’t let Gabrielle Union kill anybody this season.

Ayy-Man!